✸ JULIE WAKEFIELD 

this typeface leans into the humanness of imperfection and the tactile. it is inspired by handwriting, block printing techniques, cut paper crafts, and other experimental analog processes of lettering. there is an underlying sense of nostalgia in its textures and shapes, calling back to rubber stamps, vintage signage, and printmaking. it feels as though it may have been carved out of wood or linoleum, cut out of paper, or abruptly drawn with a chisel tip marker.

spiky is ideal for projects that want to feel personal and driven by creative flow. it would be at home on creative event posters, zine covers, packaging for artisanal goods, or branding for small businesses. it can also be a strong choice for alternative genre music posters, album art, or greeting cards that want to make a bold yet handmade statement. as a lower-case-only typeface, it serves its best purpose for displays and headers, but may work as body when sized appropriately. 

Perfect bound book containing two found texts about flowers. Despite being published an entire century apart, these texts are more similar than they are different. Descriptions of well-known flower species from Wells, combined with Ingram's pairings of flower names to British literature and poetry, this book offers a unique dive into early botany, taxonomy, and metaphor. In parallel with standard 18th century press printing, this book contains 26 digitally-drawn "printer's ornaments". The cover is made of soft, green felt; alluding to the trimmed hedges, walls, and paths that were idealized in landscape design of Baroque botanical gardens.

Slip cover for vinyl record for a themed playlist of twenty songs. Each song contains words connected to outer space in the song title, artist name, or lyrics.

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